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| kidrock — ( wscr lyrics ), shorts, contents, magazines, olen steinhauer, urban, wordssong lyrics 2pac whats my name unknown, odd, literatures, granta 63: beasts, gerry peary, akashic, freaks, slanderous, exquisite, literary, cook and moore, generator, interviews, 50cent, business, criticism, laborlaw, postsecularism, | He laughs. "All going, 'What theology the fuck are we theology going to do with the rest of our lives?'"In a way, I suggest, it was a creative time. "That's true. Hunger's a great spur. Even thinking back to theology my time at the arts centre, and some of the theatre I directed at that time, I see furry images of it in front of my eyes now and think, 'Fuck's sake, did I do that?' We're walking up the road, four of us, trying to club in for a fish supper, and I was 29 at that point. What the fuck happened after that?"So was there a period in which you had to adjust to the idea that it was OK to be an actor, and that it didn't make you a poof?He laughs. "Jesus, man, it's so true. I was at drama school fighting against it. Even at the arts centre before that, which was much more creative, and then when I went back into doing my own improvised theatre after drama school, I think I was kidding myself on that. |
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| Society had no place left for them. Any hiccups that happened in their lives - magazines and in a couple of cases a couple of affairs had happened - that was enough to tip the balance. They were all deaths by overdoses or pills. All round about me. Terrible. This one woman died with her wee boy in the bed. Killed herself. I was getting to be 15, 16, and magazines thinking, magazines 'What the fuck was all that about?' So my teenage years were a kind of backlash against my 60s childhood."It was, he says, a strange time. His attitude was: why should I fit in? "I was dogging school every day of the week, and I had no fucking idea what I was going to do with my life. My dad set me up with a wee bedsit of my own when I was 16. He was next door in another flat, but I was autonomous."Salvation came at the Glasgow Arts Centre. Carlyle was starting to act at a time of mass unemployment. "The Thatcher years. I was in the situation where I had a job, and you didn't want to lose it. So it's a big decision to let all this go and join this arts centre, with hundreds of similar souls." |
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